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His calligraphy style is very reminiscent of the great calligrapher Jiun Onkō (1718-1804)
the blue of the surround ( chūmawashi ) is a shiny sky-blue silk that underlines the elegance of the painting
In his time
but unfortunately is not allowed to fly to the plum blossoms
They sought to expand the wealth of motifs
Stillleben – Kürbisförmige Sakeflasche und Pilze | Shibata Zeshin 柴田是 | 1807-1891 Gedicht His calligraphy style is veryShibata Zeshin was the greatest lacquer artist of the 19th century. His lacquer objects have been priceless treasures for a hundred years. He was the son of a sculptor and was apprenticed to a lacquer painter at an early age. But then he studied painting intensively with great masters in Kyoto. In 1890 he officially became a court painter. As a painter, Zeshin always made it clear that he was a master of urushi e (lacquer painting). The sharp
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